16 Etudes for classical, steel-string or electric guitar By Jeff Pekarek Jeffery J. Pekarek 6711 Springfield Street San Diego, CA 92114 Copyright 4/24/2000

Introduction 1. Little Virgo 2. Powdered Wigs 3. Puntos Perfectos
4. Polka and the Jolly Roving Tar 5. Beyond Virginia 6. Scordatura 7. The Crusades
8. CARPATHIANS I: Hungarians and Rumanians 9. CARPATHIANS II: POLES AND ASHKENAZIM 10. CARPATHIANS III: THE ROM 11. CARPATHIANS IV: TRANSYLVANIAN SAXONS
12. ANDALUCIA 13. THE SLAVE COAST 14. ROOTS OF JAZZ 15. SCALES
16. PARNASSUS, THE ABODE OF THE MUSES
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12. ANDALUCIA

Sometime during the first half of the nineteenth century, the guitar became popular among the Rom of Andalucia, in southern Spain. Before that time, Gypsy music, which is essentially vocal, was accompanied by violin. Within a few generations, the Rom guitarists of Andalucia had developed an array of flashy new techniques for the instrument, diverging from their classically trained Spanish and Italian counterparts. The Flamenco guitarist, though usually unable to read music, grew up in a vibrant tradition, singing and clapping along with older family members, handling musical instruments, and eventually receiving direct instruction in the guitar.